Posted in album review, music, tagged album, john taglieri, Lucky #9, music, new england, new jersey, pop, powerpop, review, rock, rock & roll, TAG on April 8, 2012 |
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John Taglieri – Lucky #9
(April 17, 2012 – Leap Dog Music)
Everyone probably knows the feeling that music can be so familiar, so safe, that it almost feels like a home to you. A place you can hide in or that can take you away from the world. I’m sure everyone has at least one artist or band, or at least an album or a song that has that effect on them. For me that is true with John Taglieri’s music.
Because of all the honest passion and endless energy John weaves in his songs it always gets me going again. After I listen to his songs I have the energy to get on my feet and do all those things that I’ve been putting off. And I feel like there is nothing I cannot do. To quote the legendary Yoda: “Do or do not. There is no try!” This music is my Yoda.
On Lucky #9 Taglieri spins tales of love and frustration, anger and commitment. He takes you on a rollercoaster ride of emotions and issues that range from anger in the edgy rocker ‘Losing Me‘ to betrayal in the cleverly composed ‘Never Knew‘ to absolute commitment in ‘Without You‘ which starts out acoustic and evolves into an powerful pop anthem testament to love.
On ‘Dying Alive‘ John Taglieri pulls out all the stops to describe how much love can mean and how much it can hurt if you feel like it’s slipping away. Listen to the powerful emotion in the bridge. That is classic John Taglieri who can wear a song like other people wear clothes. The EP continues with an uptempo semi-acoustic song called ‘Make Me Believe‘ which is somewhere in the middle of what Sister Hazel, Gin Blossoms and Nine Days used to send into the world, yet Taglieri still manages to make it sound like John Taglieri in the first place. And since we all need someone to make us believe in love, this song is for everyone. When we near the end of this EP we hear an intro that is reminiscent of Tracy Chapman’s self-titled album. The uplifting melody combined with the message of taking action after realizing you don’t have to put your life on halt for someone else is inspiring.
John Taglieri is an honest musician who writes songs that everyone can relate to. The music isn’t pretentious, instead it is full of passion, energy and honesty. The songs on Lucky #9, at times are a little rough around the edges and the EP doesn’t have a fancy production, but that’s exactly what these songs need. Taglieri is a pure artist that writes pure and honest songs and we need them to sound that way too. Which is exactly what we got. Lucky #9 is yet another admirable release by an independent musician who knows what he does best. And trust me, when he visits a town nearby you, don’t hesitate, go to his show. It’s a ton of fun and you get to hear these songs really come to life.
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Posted in album review, music, tagged 2010, acoustic, album, allie moss, alternative, corner, folk, late bloomer, music, new jersey, pop, review, rock & roll, singer/songwriter on January 16, 2011 |
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Allie Moss – Late Bloomer
October 11, 2010 (UK Only)
Allie Moss’ full-length release “Late Bloomer” starts off with the catchy single Corner. It’s one of those songs that you will have in your head for the rest of the week after you listened to it. And Corner is a good representative for the whole album. Allie Moss showcases strong songwriting and a unique vocal color on this album.
Many of the songs that appear on “Late Bloomer” also appeared on her previous EP release, “Passerby”, but on this album these songs are accompanied by a few newer songs. Dig With Me, which was played in the TV show ‘Pretty Little Liars’ is a heartfelt song that’s perfectly suitable to be used in TV shows. The sympathetic sound and the build up into the chorus accompanied by the supporting keys arrangement makes for a rich song which is very accessible.
Another newer song is the jolly Melancholy Astronautic Man. Allie’s been playing this song live for some time and it almost always gets a very good response. The uptempo and easily recognizable chorus has you singing along in no time and the playful vocals only accentuate that. The title track Late Bloomer was one of the tracks that probably impressed me the most. It has a certain honesty and purity over it that instantly reminded me of Joni Mitchell.
A song I was very curious for was Leave It All Behind as I heard Greg Holden joined in the recording of this tune. And as I had expected this track turned out to be another very good song. It doesn’t always work when you put two talented people together, but in this case it turned out beautifully. I can still hear the “oh oh oh” in my head.
The rest of the album consists of the tracks that were already featured on “Passerby” and those songs haven’t lost anything of their power. Once again I would have to say that the believablity and honesty in the music, combined with Allie’s unique vocals is what makes it stand out. Key tracks like Melancholy Astronautic Man, Late Bloomer & Passerby are excellent examples of how good this lady really is.
“Late Bloomer” covers different bases as Allie Moss is able to go from uptempo to slower paced songs with ease. She varies not only in tempo, but also in moods and intensity without ever losing any credibility or pop sensibility. It’s not something that hasn’t been done before but the power is in the delivery. There are thousands of singer/songwriters out there and many of them are quite good, so it’s hard to really stand out. But with the sincerity and honesty Allie Moss is able to embed in her songs there is no question that she stands out among many of her peers.
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