null paradox – the onion and the ants: gertrude and grace
July 21, 2010
To be honest, I had never heard of Null Paradox until recently. So I went into this album with a blank mind. “The Onion And The Ants: Gertrude And Grace” is music that belongs with the book of the same name.
Crystal Sherry’s lead vocals are strong and clear and the music has a certain sweep to it that creates a bit of an edge. Starting with opener Valentine’s Day, which is an okay track. The vocals are strong, but the arrangement isn’t too imaginative. Yet because of that it seems to work as the opener for this ‘soundtrack’ as I’ve come to see this album.
But going through the rest of the album I find that the songs aren’t really challenging or surprising. Musically it’s all tight and the vocals are actually quite strong. The over all feel and mood of the album probably fits with the book but for an album it seems to be stuck. It doesn’t get out of the shell it is placed in. Which is too bad, because if a song like Black And White (which is one of the better songs on there) had a bit more guts it could’ve been a killer song (in the tradition of heyday Incubus).
The most impressive part of the album are track 6 and 7 (Freedom / The Cell). Freedom has a lot of focus on the vocals and has a bit more guts to it when it works towards a climax. You can feel the song more than you can the other tracks. The Cell has a bit of an Evanescence vibe to it, but with a darker edge that seems to suit Null Paradox very well.
“The Onion and The Ants…” is an interesting album. It’s done pretty well but it doesn’t stand out much as a regular album. But because I’ve come to see it as a sort of soundtrack it seems to serve its purpose. I haven’t yet read the book that it accompanies but I imagine the music gets a lot more dimension once I do. So if you’re just looking for an album in this genre I don’t think this is the first one you’d grab on to, but if you are able to see the album in its context it seems to live up to what it was meant to do.