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Long time Inner Ear Media favorite, John Taglieri is working on another musical endeavor. His latest release, under the TAG-moniker, was a reworking of older songs and some fresh additions called Foreward. Currently John and his musical co-conspirators are working on a new release called Lucky #9.

For those of you who know about John and his extensive list of accomplishments as an independent musician, it won’t come as a surprise that luck doesn’t have too much to do with it. Time after time John Taglieri / TAG releases have been solid releases with catchy, modern rock-influenced pop songs with a certain edge.The keywords to describe the music would be energetic, passionate and full of life, which you could say is a reflection of John’s personality. And this is why his songs always come across. The songs have an honesty and believability to them that adds to their quality.

The first track for Lucky #9 is currently finished and upon first listen, the song has the familiar Taglieri-sound, perhaps with a little more depth in the musical arrangement compared to the songs on the previous TAG release. John’s ability to dive right into a song and bring on all his passion and energy comes out very effectively in Losing Me.

 

Listen here for a a short preview of the song:

Don’t forget to check out John Taglieri & TAG on the web:
http://www.johntaglieri.com
http://www.facebook.com/JohnTaglieriMusic
http://www.facebook.com/TagTheBand

John often has fun updates from the studio and from his many tour dates/locations and there’s all the information you might want to find out more about the man and his music.

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Below are the nominations for the Inner Ear Media Awards. Voting is simple. Comment on here, send a reply on twitter or comment on Facebook, Myspace or Last.FM, or sent an e-mail to info@innerearmedia.nl and your vote will count. Voting is open until December 15th, winners will be announced on December 30th, and actual awards will be given to the winning acts in early 2011!

Thanks and enjoy the voting!

Album of the Year

– The Reluctant Graveyard / Jeremy Messersmith
– Dark Is The Way, Light Is A Place / Anberlin
– Release / Chad Perrone
– Have You Seen My Prefrontal Cortex? / A Great Big Pile of Leaves
– Riding The Rails / Little Kim & The Alley Apple 3
– Sorry, Kid / mr. a balladeer

Song of the Year

– The Devil’s Tears / Angus & Julia Stone
– She’s A Mystery / Arthur Adam
– Excuse Me, Brother / Thomas Dybdahl
– A Girl, A Boy & A Graveyard / Jeremy Messersmith
– Revenge / Fiction Plane
– The Curse / Josh Ritter
– Unfortunate Sea / Everest
– Put The Brakes On / Gerald Edward

Talent of the Year

– Nathan Brooks
– AM Taxi
– The Boy Who Trapped The Sun
– Republic of Letters
– General Fiasco

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Allie Moss/Josh Ritter show
Bitterzoet, Amsterdam
May 3, 2010

It was a rainy monday evening and outside of BitterZoet in Amsterdam a long line of people was making its way into the venue. After some time everyone found a spot inside the packed venue and then, suddenly, Allie Moss was on stage. With relatable and personal songs as well as a friendly and spontaneous attitude she was able to connect to the audience who in their turn listened in silence respectfully and gave her a well deserved applause. The strength of Allie Moss’ music lies in the accessibility and relatability of the songs. With clear and empathic vocals she brings the song straight to the listener and live it sounds even better than it does on CD. I think Passerby was the song that stood out to me most during her short live set, maybe also because of the little story she told us before she played it. I’d seen her with Ingrid Michaelson before and I was very curious to see what kind of show she’d be able to put on solo. Suffice it to say that it was a most wonderful performance.

After her short set the venue filled up even more (it was sold out) and after everyone got their refreshments Josh Ritter entered the stage. He was smiling and seemed in a joyous mood. He went through a good part of his discography by playing many new songs but also many songs from his previous releases. Ritter showed to be a true artist and born performer. With ease he goes from an upbeat, funny folk & roll song to a very small and intimate little storytelling folk song. At one moment he’s showing the power of simplicity, how something so small can be so incredibly powerful and move you, and then the next moment you find yourself tapping or hopping along to an upbeat song that just sticks in your head.

Ritter exchanged stories and jokes with the audience in between his songs and from the first note he played the audience was captivated. On the more serious and intimate songs you could hear a needle drop and during the sing along songs you could hear clapping and singing from the audience. There was a great balance and great atmosphere in which both artist and audience were able to shine. There aren’t really any songs in particular that stuck with me as standing out, but that’s only because the performance as a whole was one big highlight. Though the Springsteen cover The River was definitely a version to remember.

After Josh Ritter finished his regular set he got a standing ovation and it was more than deserved. Of the current generation of singer/songwriters he is most definitely one of the top talents. And this show in Bitterzoet confirms that 100%.

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